Vol 4, No 2 (2022)
- Year: 2022
- Published: 15.12.2022
- Articles: 12
- URL: https://bakhtiniada.ru/2658-5480/issue/view/16974
Full Issue
M.M. Bakhtin: Problems of creating a scientific biography
Scientific seminar “Mikhail Bakhtin: approaches to biography”
Abstract
The M.M. Bakhtin Center at the National Research Ogarev Mordovia State University organized the scientific seminar “Mikhail Bakhtin: Approaches to Biography” which took place on September 22–24, 2022. Reports by leading Bakhtin scholars (culturologists, philosophers, philologists), as well as young researchers, were presented at the discussion platforms and at the round table. In discussions participated Saransk Bakhtin scholars and scientists from research centers and universities in Russia (Belgorod, Moscow, Novosibirsk, Orel, St. Petersburg) and other countries: Belarus (Vitebsk), Brazil (Sao Paulo), Israel (Be’er Sheva), Spain (Barcelona), Italy (Macerata), Iran (Tehran), China (Beijing, Shijiazhuang (Hebei province)). The article gives an overview of the reports made at the seminar, identifies the most important and urgent problems of creating a scientific biography of the thinker.



Bakhtin’s marginalia as a source for the study of the thinker’s creative laboratory
Abstract
The article examines M.M. Bakhtin’s marginalia as an essential source for modern research. The authors analyze the cases available in Bakhtinology, presented in the commentaries to the thinker's collected works, Bakhtin’s reading notes on the pages of O.M. Freidenberg's monograph, the collection of articles “A.I. Herzen” and others. The conclusion is made that these Bakhtin materials should be included in the scientific turnover.



«Dialogism» by M.M. Bakhtin as a historical and philosophical problem
Abstract
This article is an attempt to solve three interrelated tasks. Firstly, to show up the circumstances and reasons why the concept and notion of dialogue and dialogism, in Bakhtin and elsewhere, have lost their initial meaning and actuality after the end of the New Times, i. e. in the 21st century. Secondly, this very situation in the socio-cultural and scientific (scholarly) spheres seems to give us an opportunity to pose anew the old question of the so-called Bakhtin studies, namely: “Where did Bakhtin come from?” Thirdly, the recent move in the Bakhtin studies in the direction of the philosophical origins of his thinking allows us, it seems, to approach Bakhtin’s early texts (between 1919 and 1924) not only as a project in itself, but as a dynamic strategic idea of his work or authority. Moreover, this starting point, seems to give an access to the so-called neue Denken (“new thinking”) in the work of Bakhtin’s Western contemporaries (primarily and mostly in Germany). For, with his early transformation of the Western traditional philosophy of the New Times, with his programmatic concepts of “participative thinking” and “participative autonomy”, Bakhtin, in fact, participated (quite nationally and individually) in the similar transformation of traditional philosophy into a creation of the new paradigm of the “first philosophy”.



M. Bakhtin's biography as an object of cultural memory
Abstract
The study of M.M. Bakhtin's biography is still an urgent problem of twenty-first-century Bakhtinology, not only in Russia, but also abroad, since there are many problems with the extant biographies of Bakhtin. We use the theory of cultural memory to examine this issue because we are convinced that the study of a scholar's biography is more a problem of cultural memory than of history. Memory has an inescapable subjectivity, and what kind of biography we can write depends on the cultural structures of our time. The introduction of the category of cultural memory is not intended to abolish the possibility of writing a scholarly biography, but only to provide a more critical perspective on biographical description.



Vitebsk Circle of M.M. Bakhtin: a thinking collective or an informal group of intellectuals
Abstract
In the context of the revolutionary reorganization of society at the turn of the 1910s and 1920s, when M.M. Bakhtin lived in Nevel’ and in Vitebsk, new social statuses became essential. The important thing is whether at that time Bakhtin claimed such statuses. Did he claim leadership in an informal group of intellectuals? Definitely, from the position of historical distance, based on his own assessments, we can conclude that he claimed. These assessments were a tribute to the new place that the scientist was given in the humanities of the 20th century by followers who made considerable efforts to return his name and merits. Bakhtin accepted the new rules of the game and joined it. In this regard, his own evidence (and, as we have seen, he was prone to hoaxes and myth-making) must be subjected to an objective assessment. To what extent was his place in the groups of intellectuals leading in Nevel’, in Vitebsk and Leningrad. To what extent does this recognition of this leadership reflect the true state of affairs? The academic biography of a scientist should give a comprehensive answer to this and other questions. Obviously, the problem of the Bakhtin Circle is directly related to the problem of authorship. In a sense, this is a way of explaining the phenomenon of the early maturity of Bakhtin's scientific ideas. This article is the result of the author's many years of work on the problem of Bakhtin's circle, which began in the 1990s and continues to the present day.



About the translation of “Problems of Dostoevsky’s Work” in Portuguese
Abstract
The aim of this article is to relate the long process of research, discussion and translation that resulted in the publication in Portuguese of Mikhail Bakhtin’s text «Проблемы творчества Достоевского». This process consisted of the following steps: researches in Russian libraries and archives about the book and its production and reception contexts; organization of a International Congress in 2919 in the University of São Paulo, to celebrate the 90s years of the publication of the book; the publication of two journals thematic numbers with Brazilian and Russian specialists; and the own publication of the translation of the book with an introductory article, a postscript and a glossary by Brazilian publishing company “34”.



M.M. Bakhtin in Saransk: chronography, topography, iconography
M.M. Bakhtin and the family of Saransk professor I.D. Voronin
Abstract
The article discusses various aspects of relations between M.M. Bakhtin and professor at the Mordovia State University I.D. Voronin : scientific dialogues, joint scientific and organizational work at the Department of Russian and Foreign Literature, Bakhtin’s communication with the members of the Voronin family. The author talks about Bakhtin’s role in her life and about her meetings with M.V. Yudina.



M.M. Bakhtin as perceived by his Saransk students
Abstract
The article highlights unknown episodes from the Saransk period of M.M. Bakhtin’s biography, associated with his teaching as well as cultural and educational activities in the 1950s – 1960s: at the A.I. Polezhaev Mordovia State Pedagogical Institute (now N.P. Ogarev Mordovia State University), at courses organized under the Ministry / Committee of State Security (MGB / KGB) of the Mordovia ASSR, at the Saransk City University of Culture, in the Mordovia Republican Society «Znaniye». The material of the study is the oral memories of Saransk inhabitants – former Bakhtin’s students and listeners as recorded by the author of the article in the 1990s.



«You opened my ... eyes»: the history of a letter from a Saransk student to M.M. Bakhtin
Abstract
The article reconstructs the history of one letter addressed to M.M. Bakhtin, which had been preserved in his personal archive. It was written by a part-time student of the A.I. Polezhaev Mordovia State Pedagogical Institute (now the N.P. Ogarev Mordovia State University) N.N. Andreeva (Kuzovenkova) in February 1949. The letter was published in magazine “Strannik” (2021, No. 2). The article provides information about the author of the letter and about her family. The material of the study is oral memoirs of N.N. Andreeva (Kuzovenkova) about M.M. Bakhtin recorded by the authors of the article in the late 1980s.



Architectural witnesses of M.M. Bakhtin’s life and work in Saransk
Abstract
The article deals with the architectural environment and monuments of Saransk historical center, connected with the life and work of M.M. Bakhtin. It analyzes both the appearance of specific buildings which “remember” the scientist and the architectural ensembles of Mordovia’s capital took shape in the middle of the 20th century. The ancient buildings survived the vicissitudes of the last century and newly built typical residential houses acquired in the third millennium the status of unique memorial objects, truthfully testifying to the life of the great thinker.



"Medieval Bakhtin": Aspects of the Scientific Biography of M.M. Bakhtin
M.M. Bakhtin’s «medieval laughter» in «Merlin» by Robert de Boron*
Abstract
M.M. Bakhtin, while describing the carnival culture in his book about François Rabelais, uses the term “medieval laughter” and points out its characteristics. One of the main characteristics of this laughter, according to Bakhtin, is that it destroys the boundaries and restrictions of social hierarchy and, as a result, defeats the fear of it. In the prose version of “Merlin” by Robert de Boron, written in the beginning of the XIII century, it is possible to notice laughter in the dialogs between the king Uther Pendragon and the sourcerer Merlin. Considering the fact that this romance is based on events previously described in the latin chronicle by Geoffrey of Monmouth (“Historia Regum Britanniae”, 1138) and its free translation to “romance” language by Wace (“Roman de Brut”, 1155) and the fact that this laughter is unusual for medieval literature, we can suppose its connection to the carnival culture. In this work we will look at the context, in which laughter appears in “Merlin”, and try to figure out the role of carnival motives in “historical” narrative.



Adam de la Halle in light of M.M. Bakhtin
Abstract
In the work “Rabelais and his World” Mikhail Bakhtin calls Adam de la Halle's play “Jeu de la Feuillee” a remarkable example of a purely carnival understanding of the world. The article considers how, on the basis of this play, Bakhtin formulates the basic principles and functions of folk-festival forms. The author also supplement Bakhtin’s theory with other, no less carnival-like works by Adam de la Halle – poetic debates “jeux-partis”.


