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编号 11(879) (2023)

Heroization and Demonization of the Image of a Criminal in the German-Language Media and Trivial Literature (on the basis of a crime chronicle and a detective novel)

Severina E., Rybakova M.

(Rus)

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编号 9(890) (2024)

IMAGES OF SWITZERLAND AND ITALY IN THE NOVELLA BY H. JAMES “DAISY MILLER”: ON THE ISSUE OF ART SPACE

Rarenko M.

(Rus)

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编号 10(878) (2023)

Russia Through the Eyes of a Foreigner: Emotive Means of Creating the Image of a Country

Anishchenko A.

(Rus)

编号 8(902) (2025)

Language and Creation in Victoria Welby’s Significs and Semioethics

Kiose M.

(Rus)

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编号 5(886) (2024)

Theoretical Foundations for the Research of Linguistic Means in the Creation of a Country Image in a Literary Text

Sadouri H.

(Rus)

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编号 4(898) (2025)

The Performance of Identity in Visual Images (painting, photography)

Antonian K., Sokolova N.

(Rus)

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编号 9(903) (2025)

Creolized Text in Fine Art: the Experience of Structural Analysis

Sevostyanov D.

(Rus)

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编号 2(883) (2024)

On Verbal, Para- and Extraverbal Communication (perception of American English and British English by Russian subjects). Part 1

Potapova R., Potapov V.

(Eng)

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编号 8(889) (2024)

A WORK OF ART AS A SMALL WORLD IN THE INTERPRETATION OF SEDLMAYR

Zverev A.

(Rus)

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编号 12(867) (2022)

The Theme of St. Petersburg in the Works of Joseph Brodsky: Cultural Context. Article Two. Return of the City

Tyomkin V., Podolskaya I.

(Rus)

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编号 9(877) (2023)

W. von Humboldt ‘s Concept of the Worldview and Its Interpretation in Modern French Linguistics

Vereshchagina N.

(Rus)

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编号 3(884) (2024)

The Image of Motherhood as an Archetypical Element of Orthodoxy in the Artistic Culture of Soviet Russia

Sergeeva E.

(Rus)

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编号 8(889) (2024)

FEATURES OF MULTIMODAL COMMUNICATION IN THE GENRE “LETTER TO THE EDITOR”

Ivolgin A.

(Rus)

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编号 12(867) (2022)

Precedent Name as a Means of Creating Media Image in French and English Mass Media (corpus-based approach)

Golubkova E.

(Rus)

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编号 9(877) (2023)

Parameters of Psycholinguistic Analysis of "Social Images"

Adamova Z.

(Rus)

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编号 3(884) (2024)

On Verbal, Para- and Extraverbal Communication (perception of American English and British English by Russian subjects). Part 2

Potapova R., Potapov V.

(Eng)

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()

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编号 12(906) (2025)

Chinese Poems by N. S. Gumilev: Reminiscences from Theophile Gautier

Osminina E.

(Rus)

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编号 10(878) (2023)

Analysis of the Complex Impact of the Communicative Signals of the Multimodal Media Text

Kunitsyna O.

(Rus)

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编号 3(884) (2024)

Relational Space Construal in the Cinematic Discourse of Science Documentaries

Ovagimian N.

(Eng)

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编号 9(890) (2024)

VERBALIZATION OF THE IMAGE OF FRANCE IN THE FIRST VOLUME OF MARCEL PROUST’S NOVEL “IN SEARCH OF LOST TIME”

Vedernikova D.

(Rus)

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编号 11(905) (2025)

The Works of V. V. Nabokov: About the Question of Perception of Cultural Texts

Perova E.

(Rus)

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编号 10(891) (2024)

VERBALIZATION OF VISUAL METAPHOR IN VICTOR PELEVIN'S NOVEL “JOURNEY TO ELEUSIS”

Pimenova A.

(Rus)

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编号 11(905) (2025)

Constructing of a Negative Image of Russia in German Multimodal Media Discourse as a Means of Influencing the Conceptual Worldview (a case study of “Der Spiegel”)

Kunitsyna O.

(Rus)

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编号 5(886) (2024)

Music and Songs as an Important Part of Musical Ekphrasis in W. Shakespeare’s Sonnets

Stepanov A.

(Rus)

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编号 10(891) (2024)

MODELLING OF THE PERCEPTUAL IMAGE OF THE COMMUNICATIVE EVENT “CONFLICT” (ON THE MATERIAL OF AUDIO DESCRIPTION FOR FILMS AND TV SERIES)

Gorbunova K.

(Rus)

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1 - 25 的 38 信息 1 2 > >>

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编号 12(906) (2025)

编号 12(906) (2025)

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