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期	标题	文件
卷 4, 编号 3 (2023)	Problematic issues of the study and preparation of an Academic edition of S.I. Taneev’s cantata John of Damascus	(Rus)
Lukina G., Teterina N., Aleksandrova V.
卷 5, 编号 4 (2024)	Problems of Bibliology Studies through a Prism of Digital Transformations in the Socio-Communicative Nature of a Book	(Rus)
Diner E.
卷 3, 编号 2 (2022)	The issues of meta-narrative structure in tom Stoppard’s play and film Rosencrantz and Guildenstern are dead	(Rus)
Abramovskikh E., Pasashkova S., Smolenskaya M.
卷 4, 编号 1 (2023)	The Problems of Preservation of the “St. Anastasia Chapel with Murals” (1990 – 1911) in the Modern Landscape of Pskov: Historical and Town Planning Aspect	(Rus)
Kononova P.
卷 6, 编号 2 (2025)	Program and Project Activities of the National Libraries of Siberia and the Far East: The Initial Stage	(Rus)
Yudina I., Oyun R.
卷 4, 编号 1 (2023)	Professional Orientation of Library and Information Specialists of The Republic of Tatarstan (Research on the Basis of the Central Library of Kazan)	(Rus)
Maslova Y., Mansurova A.
卷 4, 编号 1 (2023)	The Development of the Russian Film Industry in the Era of Digital Media Exemplified by A. Fedorchenko’s Film Big Snakes of Ulli-Kale	(Rus)
Liao Y.
卷 3, 编号 3 (2022)	Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century	(Rus)
Popova M.
卷 6, 编号 4 (2025)	Regional periodical press of the 1920s as a historical and bibliological research resource (exemplified by a Samara newspaper The Kommuna)	(Rus)
Kurmaev M.
卷 6, 编号 4 (2025)	Regional aspects of the state cultural policy in the implementation of the national project Culture (exemplified by the territories of Siberia)	(Rus)
Astakhov O., Panichkina E.
卷 4, 编号 2 (2023)	Anatoly Praudin’s directing strategies in the interpretation of the classics	(Rus)
Zhurcheva T.
卷 4, 编号 3 (2023)	Book recommendation services in the bibliographic activities of libraries	(Rus)
Lavrik O., Yuklyaevskaya A.
卷 5, 编号 3 (2024)	Renaissance and Decadence as Formation Ages of the Modern Understanding of Creativity	(Rus)
Pavlova O.
卷 6, 编号 1 (2025)	Drawing as a Universal of Culture	(Rus)
Sevostyanov D.
卷 4, 编号 3 (2023)	Ritual imitation as a way of symbolic requalification of culture (on example of proto-bactrian civilization artefacts)	(Rus)
Ionesov V.
卷 4, 编号 2 (2023)	The role of gender discourse in the сonstruction of the egitimized subject of the youth graffiti subculture	(Rus)
Kuzovenkova Y.
卷 3, 编号 3 (2022)	Women’s Role in the Foundation and Development of Private Libraries During the Second Half of the 19th and the Beginning of the 20th Centuries (Based on the Materials from the Upper Volga Area)	(Rus)
Solovyov A.
卷 6, 编号 3 (2025)	A bouts-rimés novel in Russian fiction of the 1910s: phenomenology, authors’ intentions and sociocultural context	(Rus)
Tanaseychuk A.
卷 3, 编号 2 (2022)	Russian-German crossroads: one sketch about I.P. Ladyzhnikov’s publishing house	(Rus)
Anisimov A.
卷 5, 编号 4 (2024)	On the Other Side of the Autobiography: M. Kuncewicz’s Novel The Stranger	(Rus)
Perepelkin M.
卷 6, 编号 3 (2025)	Family reading in the visual arts	(Rus)
Khromov O.
卷 4, 编号 4 (2023)	Sergey Yesenin and Paul Verlaine: Historical and Literary Parallels and Contexts	(Rus)
Voronova O.
卷 3, 编号 3 (2022)	Sergey Aksakov, the First Professional Composer from Samara	(Rus)
Semenov V.
卷 5, 编号 2 (2024)	A Siberian page in the history of the Saint Petersburg Military Topographic School Library	(Rus)
Panchenko A.
卷 6, 编号 2 (2025)	The symbolic nature of rats in street art	(Rus)
Vilchinskaya-Butenko M.
卷 4, 编号 4 (2023)	Synergistic Aesthetics	(Rus)
Medushevsky V.
卷 5, 编号 2 (2024)	The syntagmatic and paradigmatic aspects of a musical text in the religious practice of Orthodox Islam	(Rus)
Shaiakhmetova A.
卷 3, 编号 1 (2022)	Death, immortality and cosmos: William S. Burroughs about the fears of today	(Rus)
Ryapolov S.
卷 4, 编号 1 (2023)	Semantic Horizons of the Poetics of the Visible in a Literary Text	(Rus)
Golubkov S.
卷 3, 编号 2 (2022)	Today’s library psychology in the context of N.A. Rubakin’s legacy	(Rus)
Borodina V.
卷 5, 编号 2 (2024)	Modern trends in Chinese drama of the twentieth century exemplified by Liao Yimei’s play Rhinoceros in Love	(Rus)
Sizova M.
卷 4, 编号 3 (2023)	Sonata for viola and piano ор. 51 f-moll (1954) by V.Ya. Shebalin in russian music of the 50s of the XXth century: contexts of creativity	(Rus)
Radzetskaya O.
卷 3, 编号 2 (2022)	The condition of the Baltic Fleet libraries during the first years of the soviet power (based on the materials of the Russian State Naval Archives)	(Rus)
Novikova L.
卷 4, 编号 2 (2023)	Co-creative polylogue: art criticism aspect	(Rus)
Kuprina E.
卷 3, 编号 3 (2022)	Specificities of the Urban Identity of Industrial City Residents in the Southern Urals (Based on the Materials of a Mass Survey)	(Rus)
Shub M.
卷 5, 编号 1 (2024)	The specifics of the Narrative in the L.N. Tolstoy’s Later Works (Based on the Story Two Different Stories Of a Beehive with a Bast Cover)	(Rus)
Abramovskikh E.
卷 3, 编号 1 (2022)	Special effects of the soviet cinema: a method of finishing drawing	(Rus)
Bogdanova E.
卷 5, 编号 1 (2024)	The Empire style in the Fashion of France at the Turn of the XVIIIth-XIXth Centuries	(Rus)
Vovk A., Naumova O.
卷 5, 编号 1 (2024)	Structural and Content Features of Soviet ABC-Books	(Rus)
Kupriyanova T.
卷 5, 编号 3 (2024)	Schematization in Artistic Picture: Hierarchy and Inversion	(Rus)
Sevostyanov D.
卷 4, 编号 2 (2023)	Syzran periodical press (1917-1922) as a source on the history of book publishing and librarianship	(Rus)
Kurmaev M.
卷 6, 编号 2 (2025)	Thematism of N.A. Rimsky-Korsakov’s fugues op. 17: Bach’s intonation and structural elements	(Rus)
Davydova E., Sec O.
卷 6, 编号 4 (2025)	Creative project technologies in the professional activities of the director of theatrical performances and holidays	(Rus)
Vinogradova L., Kuprina E.
卷 5, 编号 2 (2024)	Technological foundations of a student creative project creation	(Rus)
Vinogradova L.
卷 6, 编号 4 (2025)	Digital socialization trajectories: the potential of the impact of book and gaming online industry	(Rus)
Zubanova L., Zykhovskaya N.
卷 6, 编号 1 (2025)	Interpretation of the Concept of “Cultural studies” in the National Linguistic Traditions of Russia and Abroad	(Rus)
Kuznetsova M., Arefiev M.
卷 6, 编号 1 (2025)	Transformation of Graphic Fashion Techniques in the Context of the History of Costume Design	(Rus)
Arutcheva D.
卷 5, 编号 4 (2024)	Tufa Fazylova – the Prima Donna of Tajik Opera	(Rus)
Drozhzhina M.
卷 5, 编号 4 (2024)	At the Origins of the Russian Reception of Edwin Arnold: E.P. Blavatsky and V.V. Lesevich	(Rus)
Zhatkin D., Serdechnaya V.
卷 5, 编号 2 (2024)	Сultural security threats in the context of the network culture popularization	(Rus)
Isachenko N.
卷 5, 编号 3 (2024)	Estate and Dacha in Russian Literature of the XIXᵗʰ-XXIˢᵗ Centuries: the Current State of Studying	(Rus)
Bogdanova O.
卷 3, 编号 2 (2022)	Utilitarianism within today’s discourse of culture and philosophy	(Rus)
Yemelyanova N.
卷 3, 编号 1 (2022)	The phenomenon of spontaneous commemoration: its essence, types, and functions	(Rus)
Yarychev N.
卷 5, 编号 4 (2024)	Phenomenological Approach as a Basis for Training of Performing Musicians	(Rus)
Reznichenko M., Loginov V.
卷 5, 编号 1 (2024)	Fiction Writers and Fiction Readers as Participants of the Literary Process: to the Creation of a Social Psychological Portrait	(Rus)
Solina A.
卷 6, 编号 2 (2025)	Formation of artistic and creative consciousness of students by means of art in the process of teaching music (exemplified by a musical literature contest)	(Rus)
Milovidova N., Frolova L.
卷 4, 编号 2 (2023)	Photoidentity: the specificity of photo sessions as a self-presentation tool	(Rus)
Zubanova L., Shub M.
卷 3, 编号 3 (2022)	The Functional Role of Colloquial Syntax Elements in Tatyana Tolstaya’s Novel Kys’	(Rus)
Baknina T.
卷 3, 编号 4 (2022)	The Croatian scholar in his Siberian exile in the second half of the XVII^th century. On Juraj Križanjić’s book collection in Tobolsk	(Rus)
Shestopalov I.
卷 3, 编号 3 (2022)	Artistic Representations of the World of Childhood in Russia’s Nineteenth-Century Fine Art	(Rus)
Zaytseva I., Kuznetsova M., Samsonova I.
卷 6, 编号 3 (2025)	Artistic strategies and motives for turning to the nude genre (exemplified by N.I. Feshin’s work)	(Rus)
Iakovleva E.
卷 6, 编号 1 (2025)	The Pater Noster Cycle of the Bible of Piscator and the Russian Iconography of the Lord’s Prayer in the XVII Century	(Rus)
Zapadalova P.
卷 5, 编号 3 (2024)	Digital Transformations of Book Culture as a Subject of Scientific Research	(Rus)
Lopatina N., Voropayev A.
卷 5, 编号 3 (2024)	The Existential Theatricality of F.I. Chaliapin’s Thinking as the Basis of his Stage Skills	(Rus)
Iakovleva E.
卷 4, 编号 3 (2023)	Epic in russian drama of the xixth century (exemplified by A.N. Ostrovsky’s plays)	(Rus)
Tyutelova L.
卷 4, 编号 1 (2023)	Aesthetics of Samarkand in Ilgiz Fazulzyanov’s Jewelry Art: Heritage as an Area of Creativity	(Rus)
Ionesov V., Fazulzyanov I.
卷 5, 编号 4 (2024)	Eschatology and Сulture: Golgotha Christian Newspaper The Novaya Zemlya (1910-1912) through the Prism of the Idea of Religious Justification of Culture	(Rus)
Gacheva A.
卷 6, 编号 4 (2025)	Ethical and cultural dominants of A.A. Ukhtomsky’s heritage: philosophical and literary context (to the 150th anniversary of the scientist and thinker)	(Rus)
Gacheva A.
卷 3, 编号 4 (2022)	Jubilee edition of A.S. Griboyedov’s comedy Wit works woe. 1862–2022	(Rus)
Filippova A.
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