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Title
Authors
The potential of visual culture in modern studies of ethnocultural identity
Afanasevskaia N.V.
Strategies, principles and methods of creativity in design using the method of natural intelligence
Gorshkov V.V.
Art in design. The specifics of creating a visual image of a musical and artistic event
Demidova M.V.
Traditional Chinese Opera in the 21st Century: “Environmental Theatre”
Wang D.
Neural networks in modern animation art: aesthetic innovations and new horizons
Zaitcev A.Y.
Autobiographical motifs in the "silent books" of contemporary Chinese artists (using the example of Sean Tan and Guojin)
Miao J., Fedorovskaya N.A.
Representation of Ulan-Ude in the Soviet newsreel
Dashibalova I.N.
The development of Chinese tourism poster in the period from the 1950s to the 2020s
zhang c.
Personalities of Russian animation: synergetic films of Alexander Svirsky
Zaitcev A.Y.
On the issue of the concept of public sculpture in urban space
Pleskachevskaya A.P.
Designing social advertising as an effective educational method in a cultural and educational environment
Meshcheryakova I.N.
The image of an alien in Soviet cinema of the 1950s and 1980s from science fiction to philosophical allegory
Shumov M.V.
Reflection of Aesthetic Concepts of Russian Realism in Chinese Visual Art
Su W.
The Artistic Thought of the Song Dynasty and Its Visual Expression in Landscape Painting
Wang Y., Budkeev S.M.
The Other in the Buddhist Niche: The Formation and Disappearance of the Female Image in the Longmen Grotto Temples
Liu T.
The Semantics of the Color Experiment in Boris Poplavsky's Artistic Discourse
Bezrukov A.N.
Conceptual approaches to the design of advertising and information support for the exhibition of contemporary art
Sonina O.E.
The Code of Universalism in Culture: Neoplasticism by Piet Mondrian as a Visual Philosophy of the Modern Age
LYU L.
The influence of Soviet cultural policy on the formation of the genre structure of animated films
Petrov N.P.
Directions and features of the development of artistic communication between China and Soviet Russia in the 1950s and 1960s.
Ma H., Tkachenko E.V.
Flat design as visualization of flat ontologies
Pankratova A.V.
Gnostic images in the visual culture of modernity
Pozharov A.I.
Semiotics of flora in the works of Frida Kahlo
Kargovskaia E.A., Tuzina O.E.
The mirror in V. E. Borisov-Musatov’s painting "The Pool"
Viderker V.V.
The Antinomic Component of a Work of Art. Its Role in the Emergence of the Artistic Image. The Creative Experience of A. M. Smirnov
Rakova O.A.
1 - 25 of 33 Items 1 2 > >> 

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