POETRY ON THE VERGE OF SILENCE: POETICAL ASCETICISM OF ANATOLII SHTEIGER - METAPHYSICAL CONTEXT
- 作者: Abdokova M.B.1
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隶属关系:
- Moscow University for Industry and Finance “Synergy” Karachay-Cherkess branch
- 期: 卷 23, 编号 3 (2018)
- 页面: 277-283
- 栏目: LITERARY CRITICISM
- URL: https://bakhtiniada.ru/2312-9220/article/view/334517
- DOI: https://doi.org/10.22363/2312-9220-2018-23-3-277-283
- ID: 334517
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详细
The article looks upon characteristic properties of poetic style of one of the brightest examples of the “Paris note” movement - of baron Anatolii Sergeevich Shteiger (1907-1944). It finds etymological roots of his ascetic lexicon and imagery that determine the immanent characteristics of one of Georgy Adamovich’s most fascinating poetic followers. It outlines a methodological analysis of structural features that reflect the poet’s tendency for architectonic and lexical minimalism. The article justifies the necessity to systematically study Anatolii Shteiger’s legacy as part of Russian Émigré Literature.
作者简介
Marina Abdokova
Moscow University for Industry and Finance “Synergy” Karachay-Cherkess branch
编辑信件的主要联系方式.
Email: abdokovgeorg@mail.ru
doctor of philological sciences, professor of Department of Philology Moscow University for Industry and Finance “Synergy” (Karachay-Cherkess branch).
83, Lenin Ave, Cherkessk, 369001, Russian Federation参考
- Adamovich G. Sobranie sochinenii v 18 tomakh. Tom 2. Literaturnye besedy (Zveno: 1923—1928). [Collected works in 18 volumes. Vol. 2. Literary conversations. (Zveno: 1923—1928)]. Moscow, 2015.
- Adamovich G. Sobranie sochinenii v 18 tomakh. Tom 14. Kommentarii. 1967. Esseistika 1923— 1971. [Collected works in 18 volumes. Vol. 14. Commentary 1967. Essays 1923—1971]. Moscow, 2016.
- Tsvetaeva M.I. Stikhi sirote. V kn.: M.I. Tsvetaeva. Stikhotvoreniia i poemy. [Poems to an Orphan. From: M. Tsvetaeva. Poems]. Leningrad, 1990.
- Chinnov I. Vspominaia Adamovicha. Novyi zhurnal [Adamoch’s memoire]. New York, 1972. № 109.
- Shteiger A.S. Etot den’: izbrannoe. [This Day: Selected works]. Moscow, 2017.
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