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期 标题 文件
编号 87 (2025) “SOLFEGGIO COURSE” BY TEACHERS OF THE CHINESE CONSERVATORY AS PART OF THE IMPLEMENTATION OF A MODERN APPROACH TO TEACHING SOLFEGGIO IN THE PRC
WEI S.
编号 88 (2025) AUTHORIAL CREATIVITY AND MASS PRODUCTION IN LENINGRAD’S ART INDUSTRY: STAGES OF DEVELOPMENT AND INSTITUTIONAL STRUCTURES
STEPANOVA D.
编号 89 (2025) The Åland Islands as a Factor of Tension in Russian-Swedish Relations during the First World War PDF
(Rus)
Surikov R.
编号 87 (2025) ANALYSIS OF ARTISTIC REPRESENTATION AND CULTURAL MEANING OF BIRD IMAGES IN DEHUA PORCELAIN
CHEN S.
编号 88 (2025) VOCAL ENSEMBLES IN THE OPERA “THE SAVAGE LAND” BY JIN XIANG
FENG H.
编号 89 (2025) Memoirs of the Minister-Secretary of State A. F. Langhoff (1906–1913) as a Source for the History of Government Policy of the Russian Empire in the Grand Duchy of Finland PDF
(Rus)
Bakhturina A.
编号 88 (2025) THE HIGHER SIBERIAN ADMINISTRATION AND THE DEVELOPMENT OF MUSEUM AFFAIRS IN THE LATE 19TH - EARLY 20TH CENTURIES
IGUMNOV E.
编号 89 (2025) Graphostylistic Features of Russian-Language Insertions in the Letters of Otto von Bismarck PDF
(Rus)
Sanina E., Filippov K.
编号 87 (2025) GRIGORY ROSENBLAT (1909-1963): ACADEMIC PROFILE AND KEY WORKS ON THE INTEGRATION OF THE STUDY OF LITERATURE AND FINE ARTS
SAPANZHA O.
编号 88 (2025) DISCIPLINES OF THE ART CYCLE AT THE A. I. HERZEN LENINGRAD STATE PEDAGOGICAL INSTITUTE OF THE PRE-WAR PERIOD: FEATURES OF TEACHING AND PLACE IN THE CURRICULUM
MALYUGINA Y.
编号 87 (2025) GENRE-STYLISTIC AND PERFORMANCE FEATURES OF RARELY PERFORMED PIANO MINIATURES BY P. TCHAIKOVSKY (BASED ON OP. 19 AND 40)
ZHAO Z.
编号 88 (2025) J. IOFFE AS A TEACHER AT THE HERZEN LENINGRAD STATE PEDAGOGICAL INSTITUTE, 1922-1927 (BASED ON THE MATERIALS OF THE CENTRAL STATE ARCHIVE OF SAINT PETERSBURG)
MALYUGINA V.
编号 87 (2025) CHANGES IN THE LIFE OF WOMEN’S GYMNASIUMS DUE TO RUSSIA’S PARTICIPATION IN THE WORLD WAR I
RYBOLOVA E., TOLSTIKOV V., REVENKO N.
编号 89 (2025) Variability as the Essential Foundation of Collage Art in the 20th Century PDF
(Rus)
Blinova E., Malyugina Y.
编号 89 (2025) Impressionism in Painting and Music in the Research of Modern Chinese Musicologists PDF
(Rus)
Lin T.
编号 88 (2025) ART AND LITERATURE IN AN INTEGRATIVE EDUCATIONAL SYSTEM: KEY IDEAS IN THE WORKS OF GRIGORY ROSENBLAT (1909-1963)
SAPANZHA O.
编号 89 (2025) Research on the Pathways of Dissemination and Mechanisms of Infl uence of Sun Tzu’s The Art of War in Russia PDF
(Rus)
Chen Z., Su X.
编号 88 (2025) THE RELATIONSHIP BETWEEN REPETITION AND TIME IN MUSIC IN THE LIGHT OF THE THEORETICAL VIEWS OF VICTOR ZUCKERKANDL
MOLCHANOV A.
编号 89 (2025) Paintings by François Boucher on Chinese Subjects PDF
(Rus)
Qiao Y.
编号 89 (2025) Chinese Piano Variations: Tradition and Modernity PDF
(Rus)
Guo T.
编号 89 (2025) Cognitive Motivation of the Dative Case in Russian: The Possessor as an Affected Participant PDF
(Rus)
Zhang Z.
编号 89 (2025) Composer O. S. Grebenshchikov: Yugoslav Folklore in the Works of the Soviet Period PDF
(Rus)
Mirkovic A.
编号 89 (2025) Antonio Gramsci’s Conceptual Glossary: Framework and Relevance PDF
(Rus)
Rusinova A.
编号 88 (2025) THE HERITAGE OF THE SOVIET ART INDUSTRY IN THE PRODUCTION OF MODERN RUSSIAN ART GLASS MANUFACTURING
PODOLSKAYA K.
编号 89 (2025) Nestorians at the Court of the Great Khan According to William of Rubruck PDF
(Rus)
Kostogryzova S.
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