电邮这篇文章 Comparative analysis of the evolution of scientific and pedagogical know-ledge in the field of education of the culture of piano performance and intonation
- 作者: Maryatch A.Y.1
-
隶属关系:
- Tambov State Musical Pedagogical Institute named after S.V. Rachmaninov
- 期: 卷 25, 编号 188 (2020)
- 页面: 147-156
- 栏目: THEORY AND METHODS OF SOCIAL AND CULTURAL ACTIVITY ORGANIZATION
- URL: https://bakhtiniada.ru/1810-0201/article/view/298875
- DOI: https://doi.org/10.20310/1810-0201-2020-25-188-147-156
- ID: 298875
如何引用文章
全文:
详细
We examine and study the category “Culture of piano performance and intonation”, an important component of the education of professional competence and skill of the future teacher-musician. The subject of the research is the process of educating the culture of piano performance-intonation. The purpose of the research is a scientific and theoretical substantiation of the concept of education of the piano intonation culture. The relevance of the research is that there is a need to study the features of the process of educating the culture of piano performance and intonation. It is established that the content aspects of educating the culture of piano performance and intonation depend on the target setting for the development of a competent personality of the future teacher-musician and, in this regard, the priority vector of development is not only the development of professional musical and pedagogical knowledge, skills and abilities, but also personal qualities. The research methodology is based on the use of comparative analysis and systematization of scientific-theoretical and musical-pedagogical knowledge on the research topic; cultural approach to the problem of studying the phenomenon of piano performance and intonation; hermeneutical approach to the interpretation of the concepts under study; pedagogical experience gained in the course of teaching students in the discipline “Musical and Instrumental Training” at pedagogical university. As a result of this research, the concept of educating the culture of piano performance and intonation is formulated. It is concluded that the culture of piano performance and intonation – is a complex integrative property of the personality, based on the individual style – intonation auditory experience of the individual. The field of application of the obtained results is the practical activity of a teacher-musician.
作者简介
A. Maryatch
Tambov State Musical Pedagogical Institute named after S.V. Rachmaninov
编辑信件的主要联系方式.
Email: anastasija-marjach@rambler.ru
ORCID iD: 0000-0002-1548-0460
Post-Graduate Student
俄罗斯联邦, 87 Sovetskaya St., Tambov 392000, Russian Federation参考
- Abdullin E.B. Teoriya muzykal’nogo obrazovaniya Theory of Music Education. Moscow, Akademiya Publ., 2004, 336 p. (In Russian).
- Stanislavskiy K.S. Rabota aktera nad soboy: v 2 ch. The Actor’s Work on Himself: in 2 pts. Moscow, Urait Publ., 2019, pt 1, 171 p. (In Russian).
- Bodina E.A. Istoriya muzykal’noy pedagogiki. Ot Platona do Kabalevskogo History of Music Pedagogy. From Plato to Kabalevsky. Moscow, Urait Publ., 2019, 234 p. (In Russian).
- Kuperen F. Iskusstvo igry na klavesine The Art of Playing the Harpsichord. Moscow, Muzyka Publ., 1973, 152 p. (In Russian).
- Bakh K.F.E. Opyt istinnogo iskusstva klavirnoy igry. Kn. 1. 1753 g. Experience of the True Art of Keyboard Playing. Bk 1. 1753. St. Petersburg, LLC IPK BIONT Publ., 2005, 173 p. (In Russian).
- Nikolayev A.A. Ocherki po istorii fortepiannoy pedagogiki i teorii pianizma Essays on the History of Piano Pedagogy and the Theory of Pianism. Moscow, Muzyka Publ., 1980, 112 p. (In Russian).
- Korto A. O fortepiannom iskusstve About Piano Art. Moscow, Classic-XXI Publ., 2005, 252 p. (In Russian).
- Martinsen K.A. Individual’naya fortepiannaya tekhnika na osnove zvukotvorcheskoy voli Individual Piano Technique based on Sound-Making Will. Moscow, Muzyka Publ., 1966, 219 p. (In Russian).
- Asafev B.V. Muzykal’naya forma kak protsess: v 2 kn. Musical Form as a Process: in 2 bks. St. Petersburg, Muzyka Publ., 1971. (In Russian).
- Nazaykinskiy E.V. O psikhologii muzykal’nogo vospriyatiya On Psychology of Musical Perception. Moscow, Muzyka Publ., 1972, 384 p. (In Russian).
- Medushevskiy V.V. Intonatsionnaya forma muzyki Intonation Form of Music. Moscow, Kompozitor Publ., 1993, 268 p. (In Russian).
- Kholopova V.N. Muzyka kak vid iskusstva Music as an Art Form. St. Petersburg, Lan’, Planeta muzyki Publ., 2014, 320 p. (In Russian).
- Malinkovskaya A.V. Iskusstvo fortepiannogo intonirovaniya Art of Piano Intonation. Moscow, Urait Publ., 2018, 323 p. (In Russian).
- Prasolov E.N. Khudozhestvenno-tvorcheskoe razvitie muzykanta-ispolnitelya: problema preemstvennosti Artis-tic and Creative Development of a Musician-Performer: the Problem of Continuity. Tolyatti, Kompozitor Publ., 2009, 236 p. (In Russian).
- Toropova A.V. Intoniruyushchaya priroda psikhiki: muzykal'no-psikhologicheskaya antropologiya Intonating Nature of the Psyche: Musical and Psychological Anthropology. Moscow, Moscow Pedagogical State Universi-ty Publ., 2018, 338 p. (In Russian).
补充文件
