Concerning the Playwriting of A. M. Remizov. The Drama of St. George the Brave
- Authors: Lindeberg O.A.1
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Affiliations:
- Institute of Russian Literature (Pushkinskij Dom), Russian Academy of Sciences
- Issue: No 1 (2025)
- Pages: 99-106
- Section: Публикации и сообщения
- URL: https://bakhtiniada.ru/0131-6095/article/view/309385
- DOI: https://doi.org/10.31860/0131-6095-2025-1-99-106
- ID: 309385
Full Text
Abstract
The article traces the history of the first publication of the playThe Drama of St. George the Brave, drawing on the writer’s correspondence with V. Ya. Bryusov, R. V. Ivanov-Razumnik and E. A. Znosko-Borovsky, analyzes its sources and outlines the efforts of the composer V. A. Senilov to compose the opera of the same name.The Drama of St. George the Braveis based on the apocryphal tales of the torment of St. George and of St. George and the Dragon (Serpent), that were also reflected in the Russian spiritual poems. Specific examples show that the sources were not limited to the works cited by the writer in his notes to the play. In his work, Remizov used the following sources:Arkhangelsk Epics and Historical Songs Collected by A. D. Grigoriev, N. E. Onchukov’s bookPechora Epics, various editions of theSongs Collected by P. V. Kireevsky, etc. The visual source forThe Drama of St. George the Bravewas the icon with the stampsThe Life of St. George, mentioned by Remizov in a letter to I. A. Ryazanovsky.
Keywords
About the authors
O. A. Lindeberg
Institute of Russian Literature (Pushkinskij Dom), Russian Academy of Sciences
Author for correspondence.
Email: olinde08@gmail.com
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